| #### CHAPTER 51 |

| #### #### On the completion of these works Croesus sent them away to Delphi, and with them two bowls of an enormous size, one of gold, the other of silver, which used to stand, the latter upon the right, the former upon the left, as one entered the temple. They too were moved at the time of the fire; and now the golden one is in the Clazomenian treasury, and weighs eight talents and forty-two minae; the silver one stands in the corner of the ante-chapel, and holds six hundred amphorae. This is known because the Delphians fill it at the time of the Theophania. It is said by the Delphians to be a work of Theodore the Samian, and I think that they say true, for assuredly it is the work of no common artist. Croesus sent also four silver casks, which are in the Corinthian treasury, and two lustral vases, a golden and a silver one. On the former is inscribed the name of the Lacedaemonians, and they claim it as a gift of theirs, but wrongly, since it was really given by Croesus. The inscription upon it was cut by a Delphian, who wished to pleasure the Lacedaemonians. His name is known to me, but I forbear to mention it. The boy, through whose hand the water runs, is (I confess) a Lacedaemonian gift, but they did not give either of the lustral vases. Besides these various offerings, Croesus sent to Delphi many others of less account, among the rest a number of round silver basins. Also he dedicated a female figure in gold, three cubits high, which is said by the Delphians to be the statue of his baking-woman; and further, he presented the necklace and the girdles of his wife. ####  |