"THE SEASONS"

It would certainly have been a pity to lose such a fresh, melodious little work as "The Seasons"; but it is only too apparent that while there was no appreciable failure of Haydn's creative force, his physical strength was not equal to the strain involved by a composition of such length. In 1806, when Dies found him rather weaker than usual, he dolorously remarked: "You see it is all over with me. Eight years ago it was different, but 'The Seasons' brought on this weakness. I ought never to have undertaken that work. It gave me the finishing stroke." He appears to have started on the work with great reluctance and with considerable distrust of his own powers, but once fairly committed to the undertaking he entered into it with something of his old animation, disputing so manfully with his librettist over certain points in the text that a serious rupture between the two was at one time imminent. The subject was probably not very congenial to Haydn, who, as the years advanced, was more and more inclined towards devotional themes. That at least seems to be the inference to be drawn from the remark which he made to the Emperor Francis on being asked which of his two oratorios he himself preferred. "'The Creation,'" answered Haydn. "In 'The Creation' angels speak and their talk is of God; in 'The Seasons' no one higher speaks than Farmer Simon."