HIS PIETY

Closely, indeed inseparably, connected with this exalted idea of his art was his simple and sincere piety. He was a devout Christian, and looked upon his genius as a gift from God, to be freely used in His service. His faith was never assailed with doubts; he lived and died in the communion of the Catholic Church, and was "never in danger of becoming either a bigot or a free-thinker." When Carpani, anticipating latter-day criticism, hinted to him that his Church compositions were impregnated with a light gaiety, he replied: "I cannot help it; I give forth what is in me. When I think of the Divine Being, my heart is, so full of joy that the notes fly off as from a spindle, and as I have a cheerful heart He will pardon me if I serve Him cheerfully."

His reverent practice during the composition of "The Creation" has been mentioned. "Never was I so pious," he said. There are many proofs of the same feeling in his correspondence and other writings. Thus he concludes an autobiographical sketch with the words: "I offer up to Almighty God all eulogiums, for to Him alone do I owe them. My sole wish is neither to offend against my neighbour nor my gracious prince, but above all not against our merciful God." Again, in one of his later letters, he says "May God only vouchsafe to grant me the health that I have hitherto enjoyed, and may I preserve it by good conduct, out of gratitude to the Almighty." The note appended to the first draft of his will is also significant. Nor in this connection should we forget the words with which he inscribed the scores of his more important compositions. For the conclusion he generally adopted Handel's "Soli Deo Gloria" or "Laus Deo," with the occasional addition of "et B.V. Mae. et Oms. Sis. (Beatae Virgini Mariae et Omnibus Sanctis)." Even his opera scores were so inscribed, one indeed having the emphatic close: "Laus omnipotenti Deo et Beatissimae Virgini Mariae." The superscription was uniformly "In nomine Domini." It is recorded somewhere that when, in composing, he felt his inspiration flagging, or was baulked by some difficulty, he rose from the instrument and began to run over his rosary. In short, not to labour the point, he had himself followed the advice which, as an old man, he gave to the choirboys of Vienna: "Be good and industrious and serve God continually."