PORTRAITS

After his death there were many portraits in chalks, engraved, and modeled in wax. Notwithstanding his admission of the lack of personal graces, he had a sort of feminine objection to an artist making him look old. We read that, in 1800, he was "seriously angry" with a painter who had represented him as he then appeared. "If I was Haydn at forty," said he, "why should you transmit to posterity a Haydn of seventy-eight?" Several writers mention a portrait by Sir Joshua Reynolds, and even give details of the sittings, but he never sat to Reynolds, whose eyesight had begun to fail before Haydn's arrival in England. During his first visit to London Hoppner painted his portrait at the special request of the Prince of Wales. This portrait was engraved by Facius in 1807, and is now at Hampton Court. Engravings were also published in London by Schiavonetti and Bartolozzi from portraits by Guttenbrunn and Ott, and by Hardy from his own oil-painting. A silhouette, which hung for long at the head of his bed, was engraved for the first time for Grove's Dictionary of Music. This was said by Elssler, his old servant, to have been a striking likeness. Of the many busts, the best is that by his friend Grassi, the sculptor.